Archive for the ‘Work’ Category

I have not posted a single e-mail marketing in any portfolio I have done. Not cause I don’t do them oftenly -  god only know the few millions e-mail mkt designs I have done – , it’s just that I never saw any reason to do it. Some were quite satisfying, given how restricted this media is until this day (damn you HTML 3 and cheap e-mail readers), and sometimes things to be proud of, maybe I didn’t post’em out of stubborness. However, last month I had the chance to come-up with anything, any solution, in order to increase 2 big famous bars  client base (Salve Jorge and Posto 6 – located on the continent-recognized bohemian neighbourhood “Vila Madalena” in my hometown). Of course I had almost no time at all to think and execute, but still, even not as original as it could (it shouldn’t be an fully online campaign due to budget limitations, only an e-mail piece with maybe some ramifications), it ended up pretty nice.

For Salve Jorge (which is all about St. George and the Dragon slaying thing), we proposed the following mechanic for daily offerings: an e-mail with a huge ass dragon which in, like a guess game (and stretching it, a RPG turn-based combat), the user should pick a hit point (in one of the daggers) and then it would randomly take him to a “voucher site” where he would see the offer he earned (or no offer at all), which he could print and show on a pre-determined date.
Here’s an image displaying the whole case and the e-mail itself (chopped into 3 pieces :] )


And also, there’s the Posto 6 one… way simpler. Since it’s always pretty crowded and usually frequented by “hipsters”, the idea here was to integrate some offers directly with Foursquare. How? Pretty simple, the (Foursquare) mayor had at each visit the previlege of earning a free double-chopp, and the “normal” people also could win this everytime they completed two check-ins. Here’s the case overview and the e-mail itself:


Robot Rock!

Nov 18 2010

There are days when suddenly, completely out of nowhere, I am asked to do something utterly and unexpectedly bizarre. This day was one of these. Simply put, I was told to illustrate realistically a cyborg performing a bicycle kick (you know, the soccer football one). Even not having much time (2 days, precisely) I decided to do it in 3D. It’s arguably harder and more time consuming, but I was convinced that I would have to spend more time on Photoshop or Illustrator to achieve realism.

And hours and hours after, here is a short clip made for Conventions and Business Expos and … oh, shit. I guess I forgot to say what this was all about… this is an concept for BMS (Brazil Machinery Solutions) 2011 campaign, being the goal of this organization to export and be ambassadors of brazilian technology and machinery around the globe… yeah, all of them.
So, beside this neat video, I made some renders and stuff with this guy. Quick stuff,  here’s the concept illustration itself, a stand simulation for their frequent conventions and the trophy concept for their annual awards.

Robots, robots everywhere!

A rare occasion, I’m just posting a work right after finishing it. :D . Hell yeah, this is a “Motion Graphic” piece for an endomarketing campaign for Coelho da Fonseca, about environmental conscience and their recycling program. I came up with this sleek visual Id and AE solution, I enjoyed the final result, and I hope so will you.

Here’s the endomarketing site created for this…. It aired a bit different, but since it’s closed you can enjoy the original preview I mounted and uploaded here.

e|ou boa de briga

Sep 10 2010

I can’t believe I had not posted this yet. This is about 2 years old, but since it was one of the rare occasions in which I was left loose to mess with AE, the final result is something that pleases me ’till this day. And apparently the agency is also very fond of it, since the managers still show this video on business presentations.
It is nothing more than a gathering of numbers, facts and statements, mostly afirming and explaining the company’s new tagline “Boa de Briga” (stands for something like “Restless Fighter”). Enjoy. :D

This kinda old thing that I found makes me sad and glad at the same time. We were going to promote through Twitter and Facebook a campaign in which anyone could name the new C4 HB series (that would come with an iPod Shuffle connected to the car’s system) Citroën was planning to release. Cool thing is that the lucky winner would get the very first car in this new series, and the iPod would come with his Last.fm or MySpace playlist (if he had one),as the site would cross the social media profiles.

As I said, the sad part is that this special edition was canned and so was the website I was doing.  But fear not, since you can see the preview build here. But it’s just an image turned into HTML to fit the browser… at least you can see it bigger :]

Since I just posted the Monsanto Ambassadors campaign (Embaixadores Monsanto), I’ll catch it’s drift and post a logorama about the subject.
The initial idea was to create a logo for a web-broadcasting channel (of a series of episodes of what should be the main focus of the case), the briefing foretold it would be used solely on videos, vignettes and online media.
So, it was pretty obvious for me, to take a elaborated 3D approach, not a logo itself, but an icon that would maintain a strong identity on, let’s say, RGB communications. And so I did.
Happens that, no matter what is more reasonable, tradition will remain traditional, as stupidity will remain stupid.

As you see below, the chosen one is the logo that most ressemble to Monsanto’s logo itself.
It’s was (karmic), the first one I did. Which in this case was obligatory in my mind (when first working with some new company, you try to get as near as you can to what they are used to, at least as an alternate proposal).

Generally I understand this kind of safe choice, but they kinda proved my point when I made the video with this logo and they said it was not looking good. And then it gained a 3D version for motion graphics purposes. :D
There are a bunch of 2D traditional logos there as well, which I was told to do.

MONSANTO AMBASSADORS

Jul 08 2010

So, this case is about an Embassy of Evilness…. no, just kidding. I’m aware of Monsanto’s bad rep, but I don’t know much about that. What I know is that this is an honest to heart initiative. Actually, it’s a campaign to stand against the trash talking and educate their own employees and third parties on defending the company’s purpose. It’s called Monsanto Ambassadors, and it consists on a online channel with a series of episodes about Monsanto’s activities, statements from vital people on those processes, and a bunch of  web community tools (such as Forums, a ”FormSpring” reproduction and a WordPress blog).

(above you see the illustrated processes of Monsanto, for the home of the forum)

See a preview version here.
Or check below the primary lay-outs (approved, but in development), the overall visual identity for this campaign.Website’s home:

Forum’s home:

ABERJE 40 YEARS

May 31 2010

Nonsense header image is nonsense. Anyway, this post is meant to showcase what is becoming a relic these days: a fully flash website. In my defense, It wasn’t meant to feature on any mobile platforms, or be optimized for any search engine. It was all about a fixed target, and a loose informative feat. to get people to understand what the Association is. Oh, of course, Aberje is the Brazilian Association for Enterprises Communications, in simple words, an Institution to all things Endomkt and Internal (HR) Management. They failed to make their own associates aware of their benefits, so in the verge of their 40 years anniversary they asked for this site.

In the end, since the identity of the campaign had a strong “Bauhaus” esque (as you see above), the smoothly animated transitions provided by Flash were quite welcome.
Better than hear about it, see it in motion.

Here are shots from the homepage, and some internal ones:

This last one is straight from the Statement’s page, for which I did some editing as post-effects. Worth seeing it, I guess.
That’s it for now. More silly sites on the way…

The year is 2008. I bought a PS3. The reason? I got some extra cash and an urge to play GTAIV. How could I ever know that shiny black thing would consume my life?
Anyway, here I am, 45 games and loads of money spent after, and I still can’t get enough of this generation of gaming. Neither can any of my mates whom have purchased a PS3.
That was when we realized we had to turn our gaming conversations into podcasts, and that’s how the Caranguejo Doido project was born.

Caranguejo Doido stands for “Crazy Crab” in portuguese, and it’s an obvious reference to Sony 2006′s E3 press conference (the Giant Enemy Crab), and clearly focused on the Playstation platform. The idea is to make a website focused on news and Playstation related gaming content to the national public, that really lacks a reliable source (not that we are going to be one, exactly).

By now it’s in development process. It’s pretty close to being finished, to be more precise. But while it’s not up, i’m going to show the logo and design I’ve come up with for this so far. So we can face this as a preview.
Enjoy the Dualshock 3 disguised as a foolish crab >

Aaaaand a screengrab from the site in development. If you are a portuguese speaking, gamer visitant, I hope to see you there…. constantly. If not, well, we’ll meet at GameTrailers forums!

See ya!

PLACAR40ANOS

May 17 2010

This one is a hotsite created for the release of Placar’s 40 years anniversary book. I wish it was a Flash website, but they did not want one. And honestly, I had no time for doing so. I just designed it, and I’m quite satisfied with how it looks. Nonetheless, even being a XHTML only site, it endend up pretty nice. With lots to do on. Oh, and Placar is a famous soccer magazine btw.


You can visit the site here. Nice navigation! (portuguese only).

The main downside of working with a studio/agency is the ‘awards season’. As if you were not busy enough, thousand things must be done in order to submit a work to these annual events.
And big news: It’s getting worse. Now there is a whole trend of doing some CG videos to show the cases.

Thing is: I was called at 13pm, to create from scratch 3 videos of these, to be finished and submitted to DMA Echo Awards 2010 on the same day. Until 19pm. 6 hours to make 6 minutes of typemotion on AE. I can assure you it’s a damn short time. My rep as Miracle Man here will be my damnation, but while I stand tall, I get the shit done. And here is the shit I’ve done:

This one was for Citroëns’ L’Expert Commerce, read more for the other two cases from SulAmérica :]

aaaaaand…

AUTHORITINY.FARM

May 17 2010

Which comicbook lover in his right mind does not love The Authority?
Warren Ellis and Bryan Hitch‘s masterpiece is a must-read, and in my case, a must-make-fanart .

MidNight was kept intact, because my sis is a huge fangirl, so I did this for her.
About his teammates, I can’t say the same. Here’s the new line-up:
(top to bottom, left to right):
• Mamilóide Engineer
• Apolo Uncle Zed
• Mimosinha Swift
• Pepino Hawksmoor
• Dr. Palmito
• Jenny Quantum & MidNight.

Time for another Logorama!
Now with a logo for a program among Natura sellers, instructing then about make-up techniques and that kind of things.

Nothing to say here. As always, the very first one I made was ‘the one’. But this was not a surprise, since I was advised to use their own corporative font (Humanist) to create a ‘sub-brand’, and so I did.
Of course I made some ornaments and distortions on the typography flow, but nothing too risky. I made other options too, but as expected, just to be thrown away.
Check them out:

 

Yay! Freestyling on ZBrush = Awesomeness.
It’s a bloody shame I can’t get more time into it. If I wasn’t a lazy bastard with a hectic job I’m sure I would do a lot more of this.

This was made 100% from scratch, with no intentions of doing anything, and as it took some shape, I decided to dig into a monstruous version of the lil’ heart of palm. It really was nothing more than a brush, alpha and texturing test, and in the end, the result was cooler than I imagined.
See the full render and a occlusion test:

I’ve been working with TV Cultura (a traditional brazilian TV Channel) since 2005, an it has always been a pleasure. Last year, they completely revamped their most famous and polemic show “Roda Viva” (on air since 1967) to fit today’s standards.Now it is broadcasted by TV, web-streaming, and with live chats and feed on Twitter and Facebook.
The “Roda” on the show’s name can be also interpreted in portuguese as the verb that stands for “run”. So the punchline ended up as “Run Everywhere, Roda Viva”. They needed a strong ‘hi-tech’, yet serious art to transmit this, so I came up with this 3D illustration.

Some more renders and other materials for this campaign…

Heavily inspired by the first PS3 ads, since the Show’s visual identity was basically…. black, I placed around their Red & Yellow globe (now, modeled and shaded on Maya), a black ring with cables, notebooks, peripherals, and other tech stuff coming out of it, as if they were emerging from the same material. The ring structure is a trademark of Roda Viva stage (“roda” also meand circular, round, wheel, and that type of thing), so it was a no brainer.

Here’s how the final renders look on the ads (I made them too):

I also made a second and cleaner option, also making reference to the famous stage (circular concentrical balconies), but now playing with the wi-fi concept:

And that’s it. I’ll look intro posting more old good stuff from TV Cultura.

C2H4O

May 11 2010

Sometimes I write too much just to show something. Today, I shall not do that.

This is another Oxi(teno) project, this time not directed to employees, but to college students. C4H2O (which is the chemical formula for Ethylene Oxid, main element in Oxi’s process) is the name we gave to their Trainees Recruitment Program. I was pretty confortable with creating a visual (and logo) for this, since it was directed for a younger audience, and I was let loose to try to make it as powerful as possible (inside the tight deadline) and differentiate it from the usual boring communication from similar companies’ recruitment advertising. Of course, the very basic idea was to instruct what Oxiteno does for these students, and that’s the reason for the formula: to raise the “WTF?” factor and with this, curiosity, allied with a somewhat cool artstyle.

C2H4O logo was made in Maya, and everything else composed on Photoshop.
As always, here is the full concept plus some renders and more.

Assembling some products and everydar stuff that involves directly Oxi’s process.  I also made some other, more “sober” test renders:

And logos too:

And just to finish this, some CMYK material I eventually end up doing, a folder and an ad: