Posts Tagged ‘Design Issues’

Since I’m a ‘no-waster’, I’ll post every single thing I created for this campaign. The first wave was a mess, there wasn’t even a defined name… only on the second one I was gives something solid to work with.

First, the nonsense. We hadn’t a name, only a concept. It’s a “green” endomarketing campaign, and that’s the reason for the 4Rs thing (Rethink, Reduce, Reutilize, Recycle … free translation, of course). I mixed this idea with the bunny, the goddamn institutional bunny that must be everywhere related to the company.

And then the writting staff intervened and came-up with an actual name, as the client also gave me a little bit more direction. And then the final draft was this.

As you see, that “I’ll rape you” face bunny had to be there.

I have not posted a single e-mail marketing in any portfolio I have done. Not cause I don’t do them oftenly -  god only know the few millions e-mail mkt designs I have done – , it’s just that I never saw any reason to do it. Some were quite satisfying, given how restricted this media is until this day (damn you HTML 3 and cheap e-mail readers), and sometimes things to be proud of, maybe I didn’t post’em out of stubborness. However, last month I had the chance to come-up with anything, any solution, in order to increase 2 big famous bars  client base (Salve Jorge and Posto 6 – located on the continent-recognized bohemian neighbourhood “Vila Madalena” in my hometown). Of course I had almost no time at all to think and execute, but still, even not as original as it could (it shouldn’t be an fully online campaign due to budget limitations, only an e-mail piece with maybe some ramifications), it ended up pretty nice.

For Salve Jorge (which is all about St. George and the Dragon slaying thing), we proposed the following mechanic for daily offerings: an e-mail with a huge ass dragon which in, like a guess game (and stretching it, a RPG turn-based combat), the user should pick a hit point (in one of the daggers) and then it would randomly take him to a “voucher site” where he would see the offer he earned (or no offer at all), which he could print and show on a pre-determined date.
Here’s an image displaying the whole case and the e-mail itself (chopped into 3 pieces :] )


And also, there’s the Posto 6 one… way simpler. Since it’s always pretty crowded and usually frequented by “hipsters”, the idea here was to integrate some offers directly with Foursquare. How? Pretty simple, the (Foursquare) mayor had at each visit the previlege of earning a free double-chopp, and the “normal” people also could win this everytime they completed two check-ins. Here’s the case overview and the e-mail itself:


Since I just posted the Monsanto Ambassadors campaign (Embaixadores Monsanto), I’ll catch it’s drift and post a logorama about the subject.
The initial idea was to create a logo for a web-broadcasting channel (of a series of episodes of what should be the main focus of the case), the briefing foretold it would be used solely on videos, vignettes and online media.
So, it was pretty obvious for me, to take a elaborated 3D approach, not a logo itself, but an icon that would maintain a strong identity on, let’s say, RGB communications. And so I did.
Happens that, no matter what is more reasonable, tradition will remain traditional, as stupidity will remain stupid.

As you see below, the chosen one is the logo that most ressemble to Monsanto’s logo itself.
It’s was (karmic), the first one I did. Which in this case was obligatory in my mind (when first working with some new company, you try to get as near as you can to what they are used to, at least as an alternate proposal).

Generally I understand this kind of safe choice, but they kinda proved my point when I made the video with this logo and they said it was not looking good. And then it gained a 3D version for motion graphics purposes. :D
There are a bunch of 2D traditional logos there as well, which I was told to do.

The main downside of working with a studio/agency is the ‘awards season’. As if you were not busy enough, thousand things must be done in order to submit a work to these annual events.
And big news: It’s getting worse. Now there is a whole trend of doing some CG videos to show the cases.

Thing is: I was called at 13pm, to create from scratch 3 videos of these, to be finished and submitted to DMA Echo Awards 2010 on the same day. Until 19pm. 6 hours to make 6 minutes of typemotion on AE. I can assure you it’s a damn short time. My rep as Miracle Man here will be my damnation, but while I stand tall, I get the shit done. And here is the shit I’ve done:

This one was for Citroëns’ L’Expert Commerce, read more for the other two cases from SulAmérica :]

aaaaaand…

Time for another Logorama!
Now with a logo for a program among Natura sellers, instructing then about make-up techniques and that kind of things.

Nothing to say here. As always, the very first one I made was ‘the one’. But this was not a surprise, since I was advised to use their own corporative font (Humanist) to create a ‘sub-brand’, and so I did.
Of course I made some ornaments and distortions on the typography flow, but nothing too risky. I made other options too, but as expected, just to be thrown away.
Check them out:

 

This is not a full Logorama, it’s an express and very old one.
The Ultra Group Corporation approached e|ou for the creation of an internal campaign to promote their new E-mail Back-up Services. So I came up with a less serious resolution by baptizing the server as Santo Arquivo (Saint Archive). They didn’t allow us to create a character for it (fun factor fear), so I tried to translate the holy trusty thing as much as I could on the campaign label.

Here are some random Maya renders and the few options I made

That’s it. I’m done. TheeHeadFarmer is out.

Long time no posting. But I’m here to change this.

I’ve been thinking about this for quite a while and it’s time to kick it off.
Haven’t you ever wondered (I mean, if you are into this design thing) why the heck do you always have to come up with 1001 solutions for one logo when the chosen is always the very first you imagined?
That’s my karma at least. Not only mine I believe, but of all poor, rotten, savage and unknown designers around the globe.
In honor to that ironic series of happenings, I launch this brand new section on Tetópolis:  “Logorama”. In which I’ll post (retroactively  at times)  logos, disregard of it’s purpose, and their several rejected options.
What for? Nothing specifically. Mainly to register the results of useless creative time, and who knows, maybe can be a study material for some (not that I believe that :D ).

The logo in question is all about family, it’s a comfortable, quiet way to start this. My girlfriend’s dad has a quite nice Pizza Restaurant on a fancy location in São Paulo, but it urgently needed a branding reformulation.
As you see, this was a cool subject and my “father-in-law” (not yet) turned out to be an awesome client. He basically told me “you are here almost every single day, so you will know best what to do”. Said that, I made as many good alternatives I could imagine that, obviously, would fit his brand.
As always, the first I created was the chosen one, but I do not regret this since it was admitedly the best. Traditional, italian, strong, charismatic, spot on.
But the point of Logorama is to show the “rejected” ones, so there it is:

Yeah, I picked 1o options to show him, and I made way more than these.
I know I lean towards the final one, but I really like the other 9.
Whaddya think?

More Logorama is on the way. I have A LOT to post here, and no time at all. :/

It’s effin late, tomorrow I have to go pretty damn early to the dentist and I can’t sleep. So to hell with it… I just made it on Maya (clunky as hell with Apple’s Magic Mouse) and here is a teaser for the “Oldie But Goodie” series. What is it for? Well, since my old flash portfolio is down, and with no plans of seeing the light of day again (I liked WordPress much more than XML), I decided to post here some older, really older stuff, that may or may not go back even to the days prior College (circa 1996′s and beyond).

Well maybe that was a bit of a stretch… what I can promise is that initially I’ll post some nice professional and other works from 2005 to 2008, and then we will see where it goes from there. But fear not, these will be to keep the things flowing around here, while the main focus are still new projects and artsy deliriums.
See you soon on the first OBG post.